Tuesday, 10 January 2017

Dylann Roof Is Sentenced to Death in Charleston Church Massacre


CHARLESTON, S.C. — Dylann S. Roof, the impenitent and inscrutable white supremacist who killed nine African-American churchgoers in a brazenly racial assault almost 19 months ago, shocking the world over the persistence of extremist hatred in dark corners of the American South, was condemned to death by a federal jury on Tuesday.
The jury of nine whites and three blacks, who last month found Mr. Roof guilty of 33 counts for the attack at Emanuel African Methodist Episcopal Church in downtown Charleston, S.C., returned their unanimous verdict after about three hours of deliberations in the penalty phase of a heart-rending and often legally confounding trial.
He showed no expression as the verdict was announced. Two relatives exchanged a long embrace as the jury left the courtroom.
The guilt of Mr. Roof, who coolly confessed to the killings and then justified them without remorse in a jailhouse manifesto, was never in serious doubt during the first phase of the proceedings in Federal District Court in December. By the time the jurors began their deliberations on his sentence, it seemed inevitable that they would lean toward death, not only because of the heinous nature of the crimes but because Mr. Roof, 22, insisted on denying any psychological incapacity, called no witnesses, presented no evidence in his defense and mostly sidelined his court-appointed lawyers.
His family, which has been mostly silent since his arrest, said in a statement on Tuesday that they would “struggle as long as we live to understand why he committed this horrible attack, which caused so much pain to so many good people.”
The decision effectively capped Mr. Roof’s first trial for the killings on June 17, 2015, the Wednesday when, after six scouting visits to Charleston, he showed up in Emanuel’s fellowship hall and was offered a seat for Bible study by the Rev. Clementa C. Pinckney. Mr. Roof sat quietly, his head hung low, for about 45 minutes while the group considered the meaning of the Gospel of Mark’s account of the Parable of the Sower.
Then, with the parishioners’ eyes clenched for a benediction, Mr. Roof brandished the .45 caliber semiautomatic handgun he had smuggled into the church in a waist pouch. First taking aim at Mr. Pinckney, who was a state senator and the youngest African-American ever elected to South Carolina’s Legislature, he began to fire seven magazines of hollow-point rounds.
The reverberation of gunfire and clinking of skittering shell casings subsided only after more than 70 shots. Each victim was hit repeatedly, with the eldest, Susie Jackson, an 87-year-old grandmother and church matriarch, struck at least 10 times.
During the brief siege, the youngest victim, Tywanza Sanders, 26, pleaded with Mr. Roof not to kill. “You blacks are killing white people on the streets everyday and raping white women everyday,” Mr. Roof said during the rampage, according to a jailhouse manifesto he wrote after his arrest.
Before leaving shortly after 9 p.m., Mr. Roof told one of three survivors, Polly Sheppard, that he was sparing her so she could “tell the story.” He stepped over one minister’s bleeding body on his way out the side door, Glock pistol at his side. The killer expected to find officers waiting for him, and had saved ammunition to take his own life, Mr. Roof said in his confession to two F.B.I. agents.
But the police, alerted by 911 calls from Ms. Sheppard and Mr. Pinckney’s wife, Jennifer, who was hiding with their 6-year-old daughter under a desk in the pastor’s study, had not yet arrived. Mr. Roof got into his black Hyundai Elantra and drove north through the night on country roads.
Officers in Shelby, N.C., detained Mr. Roof the next morning after a florist on her way to work spotted his car, which had been depicted in nationally broadcast alerts based on images from the church’s security cameras. Mr. Roof offered no resistance, admitted that he had been involved in the shootings and directed the officers to the murder weapon under a pillow on the back seat.
In addition to Ms. Jackson, Mr. Pinckney and Mr. Sanders, six other people were killed: Cynthia Hurd, Ethel Lee Lance, the Rev. DePayne Middleton Doctor, the Rev. Daniel L. Simmons Sr., the Rev. Sharonda Coleman-Singleton and Myra Thompson.
They were familiar, frequent presences at the church known as Mother Emanuel, the oldest A.M.E. congregation in the Deep South and one with a storied history of resistance to slavery and civil rights advocacy over nearly 200 years. In 10 days of testimony, their names and photographs appeared again and again. Family members filled the reserved seats on the right side of the courtroom each day, and 23 relatives and friends delivered emotional testimonials to their character and the impact of their loss.
Ms. Hurd, a librarian, had adopted a simple motto for her life: “Be kinder than necessary.” Ms. Lance was a perfume aficionado with a gentle smile that unified her family. Ms. Middleton Doctor’s first sermon had been titled “The Virtuous Woman.” Mr. Simmons, a veteran of the Vietnam War, had been among the first blacks in South Carolina hired to drive a Greyhound bus. Ms. Coleman-Singleton was a beaming mother whose ebullient preaching made her a popular figure in Charleston’s churches. Ms. Thompson was a workhorse of Emanuel who had chaired its trustee board. Mr. Sanders, whose parents found hundreds of poems in his bedroom, aspired to become an entertainment lawyer.
“That night, they were getting basic instructions before leaving earth,” Felicia Sanders, Mr. Sanders’s mother and a survivor of the attack, testified.

The courthouse in downtown Charleston, S.C., where a federal jury on Tuesday condemned Dylann S. Roof to death. CreditLogan R. Cyrus for The New York Times
The jury found Mr. Roof guilty in December of hate crimes resulting in death, obstruction of religion and use of a firearm to commit murder during a crime of violence. Eighteen of the 33 counts carried a potential death sentence.
Although Mr. Roof declined to testify or present any evidence, his trial was unusual for the jury’s ability to hear from an accused mass murderer in his own unapologetic words. They watched video of his two-hour confession to the F.B.I., and heard readings of his online manifesto, a journal found in his car, suicide letters to his parents, and a jailhouse essay written within seven weeks after his arrest.
The trial became a duel of competing narratives on the slightly-built, ninth-grade dropout from the Columbia area. In the prosecution’s depiction, Mr. Roof was the personification of evil, a racist ideologue, radicalized on the internet, who plotted an intensely premeditated assault over more than six months, waiting only until he was 21 and old enough to buy a weapon.
He downloaded a history of the Ku Klux Klan 10 months before the attack, used the online handle LilAryan to communicate with like-minded white nationalists, created the website www.lastrhodesian.com to post a deliberative screed against blacks, Hispanics and Jews, and audaciously adorned his canvas prison shoes with supremacist symbols, even wearing them to court. He proudly embraced his mission to incite a race war, and admired himself in his writings for having the courage to carry out actions that less-committed racists only prophesied.
“Sometimes sitting in my cell,” Mr. Roof wrote while in jail, “I think about how nice it would be to watch a movie or eat some good food or drive my car somewhere, but then I remember how I felt when I did these things, and how I knew I had to do something. And then I realize it was worth it.”
But in the portrayal suggested by defense lawyers, Mr. Roof was a deeply disturbed delusionist who most demonstrated his incapacity by denying it. Indeed, Mr. Roof insisted on representing himself during the sentencing phase for the purpose of preventing his experienced capital defender, David I. Bruck, from introducing potentially mitigating evidence about his family, educational background or mental health. Mr. Roof sat impassively at the defense table, almost every minute of every day, showing no interest or expression even when his own words were read aloud.
The results of at least two psychiatric evaluations have been kept under seal by Judge Richard M. Gergel, who ruled Mr. Roof competent to stand trial and to represent himself. Jurors heard little of Mr. Roof’s family, which arrived in Lexington County from Germany in the first half of the 18th century and included Lutheran ministers, Confederate soldiers, slaveholders and two county sheriffs, according to a family genealogy.
His paternal grandfather is a well-regarded lawyer and his father a construction contractor. Mr. Roof was born in 1994 to parents who had already divorced but had briefly reconciled. Mr. Roof began his online treatise by absolving them of any responsibility for his beliefs: “I was not raised in a racist home or environment.” Experts on white supremacists said Mr. Roof was younger than most who resort to violence, and stands apart for his lack of contact with organized groups.
Carol S. Steiker, a Harvard law professor who has written extensively about the death penalty, said that the two narratives about Mr. Roof were not necessarily inconsistent, and that a concealed psychological defect could have left Mr. Roof susceptible to a disconnected worldview. “It’s pretty hard to tell the difference between bad and mad, between evil and crazy,” she said, “and that’s why we need the investigation needed to present a mitigating case.”
Mr. Roof’s rampage staggered this area, which was already reeling from the April 2015 shooting death of an unarmed black man, Walter L. Scott, by Michael T. Slager, a white police officer in North Charleston.
But two days after the church shootings, with Mr. Roof standing expressionless in the Charleston County jail, five relatives of the victims publicly offered him forgiveness during an extraordinary bond hearing. The following week, President Obama argued in a soaring eulogy for Mr. Pinckney, which culminated in an a cappella rendition of “Amazing Grace,” that the attack’s lessons offered a way forward for race relations.
Later, South Carolina lawmakers voted to remove the Confederate battle flag from the grounds of the Statehouse in Columbia, where it had flown for more than a half-century and enjoyed decades of political protection.
The Justice Department announced last May that its prosecutors would seek the death penalty for Mr. Roof, in part because of what officials described as his “substantial planning and premeditation” and his “hatred and contempt” toward black people. Although federal capital prosecutions are complex and expensive, the government rejected Mr. Roof’s offer to plead guilty in exchange for a life sentence.
Federal law classifies the jury’s decision as a binding “recommendation,” and Mr. Roof will be sentenced formally on Wednesday.
Yet the verdict confers no certainty about whether Mr. Roof will ever be put to death at a federal prison in Terre Haute, Ind. His case could spur years of appeals — the courts could well consider his mental competency and even the tearful tenor of the sentencing phase — and the scarcity of lethal injection drugs could hinder his execution.
The federal government has not killed one of its prisoners since 2003. Mr. Roof also faces a separate capital prosecution for murder in South Carolina, where no inmate has been put to death in more than five years. The state trial, initially set for Jan. 17, has been indefinitely postponed.
That it at times seemed more important to Mr. Roof to not be depicted as mentally ill than to avoid execution prompted some in the courtroom to question whether he simply preferred to die than to serve a long life in prison. His writings and confession offered evidence on both sides of that question, wavering between glimmers of hope — even that he might someday be pardoned — and an attraction to the prospects of martyrdom. But his commitment to his cause — the restoration of white power through violent subjugation — never publicly flagged.
“I have shed a tear of self pity for myself,” he wrote in 2015. “I feel pity that I had to do what I did in the first place. I feel pity that I had to give up my life because of a situation that should never have existed.”

Facebook & Instagram Set to Start Showing Ads in the Middle of Videos


It was announced recently that Mark Zuckerberg’s Facebook and Instagram will begin testing a new “mid-roll” video ad format. With the introduction of the new format, video publishers will be given the option to insert ads that will appear after a viewer has watched their clip for at least 20 seconds. The mid-roll ad format is being rolled out to profit on the streaming functions introduced to the two social media platforms. Additionally, Facebook plans to share revenue generated with publishers, however there is no word yet if Instagram is set to do the same. Facebook has also acknowledged testing mid-roll ads in non-live videos from publishers and creators. Stay tuned for more details as they become available and let us know what you think about the ”mid-roll” video ad format.

Carl Edwards set to retire from NASCAR


Carl Edwards is expected to announce he will step away from NASCAR immediately in a news conference Wednesday at Joe Gibbs Racing, a person with direct knowledge of the situation told USA TODAY Sports on Tuesday. The person was not authorized to speak publicly.
The move will undoubtedly stun the racing world, as Edwards has been in the prime of his career and nearly won the championship last season. At 37 and driving for one of the top teams in NASCAR, Edwards figured to have at least five-10 more years in racing, should he wish to continue at NASCAR's highest level.


No reason was given for his decision, but Edwards has been known as a family-focused driver who cares deeply about his private life. While most drivers live in the Charlotte, N.C., area, for example, Edwards lives in his hometown of Columbia, Mo.
Fox Sports first reported the news. JGR would not comment on the report but called for two separate news conferences Wednesday. Fox reported Daniel Suarez , who won the Xfinity Series championship last season, will replace Edwards in the No. 19 Cup Series car.
Edwards has 28 Cup wins and has finished runner-up for the championship twice, in 2008 and 2011.
"This is ... shocking and with loads of ability and time left in a very successful career. Everyone rightfully expected Carl to win both races and championships," Eddie Gossage, president of Texas Motor Speedway, site of Edwards' last Cup win, said via release. "I talked to Carl about a month ago and he didn't give any indication that he was considering this. It is a shock that just doesn't seem real."
Edwards burst onto the Cup Scene in 2004, when he showed much promise in a partial season after replacing Jeff Burton in Roush Racing's No. 99 car.
He won four times in his first full season and immediately became one of the big names on the NASCAR circuit. His 28 career wins are more than six drivers already in the NASCAR Hall of Fame, and the total would have tied him for sixth among active drivers entering this season.
But Edwards never won a championship — despite coming painfully close on two occasions — and that will also be part of his legacy. In 2011, he put on one of the all-time great championship battles with
Tony Stewart , only to lose on a tiebreaker. Last year, he was leading on a late restart in the championship race when he tried to block Joey Logano — and crashed out as a result.
Edwards will also be remembered for his relationship with the fans. He backflipped off his cars and sometimes ran up into the stands to celebrate with people, mobbed by hugs and hands as he grinned. He was also very media conscious and always made it a point to remove his sunglasses in interviews, hoping to better connect with the viewers at home.

Wednesday, 4 January 2017

Conte may seem perfect for Chelsea now, but it’s still early


Antonio Conte can do no wrong right now. He’s masterminded a 13-game win streak for the Blues, they’re top of the table, and he’s done it all after the disaster that was Jose Mourinho’s final year at the club. He’s not just getting results on the pitch, he’s endeared himself to those around the club with small gestures, and the Chelsea fans and hierarchy have fallen in love with him.
Chelsea sporting director Michael Emenalo raved about Conte’s impact to Sky Italia, praising his new manager’s ability and demeanor: “He has brought with him not only great tactical preparation, but also his approach to games. The players love him and we love him too. There is a possibility of him staying here forever, he’s really great.”
As quickly as the modern game changes, it’s hard to imagine Conte staying at Chelsea for the rest of his career. It’s all gravy right now, sure. But things can change in soccer, and quickly. With Chelsea coming off a 10th-place finish last year, expectations were relatively low on Conte, and he’s clearly exceeded them already. Those expectations will ramp up quickly after his honeymoon period ends, especially with the wonders he’s worked already.

In just the space of a few months, Conte’s built Chelsea into a table-topping monster, and they’re clearly the class of the Premier League already. But he’s had advantages. Chelsea’s poor finish last year meant this year he doesn’t have to deal with midweek European games. As Leicester City showed us last year, missing out on midweek games and having a well-rested team every weekend can be a huge advantage for club.
Next year however, Chelsea will likely have the expectation to challenge for (and win) the Premier League title, to go deep into Champions League, and at least make a brave showing in the FA Cup. Conte’s only really expected to do well in one competition this year, but his second season is where the true pressure will set in.
Look back at his last club. Conte’s first year at Juventus was a fairytale, and he lead the Old Lady to an undefeated season after coming off consecutive seventh-placed finishes in Serie A. He won Serie A every single year he was Juve’s coach, but the Bianconeri’s continued under-achievement in Europe became an issue, and he eventually left after a perceived lack of financial support from management.
After his successful first year at Juventus, Conte was criticized for his refusal to rotate or adjust tactics for the very different rigors of Champions League. Using his best players day in and day out, and shifting to his quasi-revolutionary 3-5-2 had gotten him an unbeaten season in Serie A with no European competition to worry about. But without more time to prepare tactically and physically in between matches, his first choice players tired and underperformed as he resolutely started them day in and day out, often refusing even to sub until after the 80-minute mark.

Although grateful for the success he’d brought already, supporters were still upset about the failures in Champions League … and they made their feelings known. In response, Conte loudly complained about Juventus’ spending power compared to the rest of Europe’s elite clubs, saying “When you have €10 in your pocket you can’t eat in a restaurant where the meal will cost you €100.” He was clearly frustrated after his Juventus crashed out of the Champions League group stage, then lost to Benfica in the semifinals of the Europa League.
After the club’s inability to land Alexis Sanchez reportedly caused Conte to storm out of Juve’s preseason preparations, Massimiliano Allegri was drafted in as his replacement, and he promptly steered Juventus to another Serie A title, but then got them all the way to the Champions League final where they narrowly lost to Barcelona.
At Chelsea, Conte’s replicated his Juventus situation, with more financial power behind him. He’s got the benefit of no European competition, and, similarly, his tactical shift to a 3-4-3 has revolutionized the Premier League, and his team is running through the opposition just as the Bianconeri did his first year. His accomplishments on the Chelsea bench are already incredible, but there’s no telling how he’ll deal with the addition of Champions League on top of the pressure cooker that is the Premier League.

Over 100 people injured when LIRR train crashes

A Long Island Rail Road train running late crashed into Brooklyn’s Atlantic Terminal and was tossed off the tracks by the impact during the Wednesday morning rush hour, injuring 103 people – including some who were catapulted from their seats, officials and witnesses said.
The lead car of commuter train No. 2817 slammed into a bumper block at the end of Track 6 as it pulled into the Downtown Brooklyn transit hub about nine minutes late at 8:20 a.m. and quickly filled the station with smoke, according to officials.

The damage inside an LIRR train car.PTMOS95
The wounded all suffer ed minor injuries and dozens were treated at a makeshift triage center by emergency responders at the scene, authorities said.
Several people were pulled from the station on stretchers.
Gov. Cuomo said at a press conference at the scene that the worst injury was a woman with a “possible” broken leg.
“We’ll have an investigation as to why the operator didn’t stop the train before it hit the bumping block, but that’s where we are at this time,” said Cuomo, who characterized the incident as more of a crash than a derailment.
“It’s not that it derailed. The train hit the bumping block… the bumping block basically knocked it off the track,” the governor said, adding: “It was a train that didn’t stop when it was supposed to.”
The train left from the Far Rockaway terminal at 7:18 a.m. and was supposed to arrive at Atlantic Terminal – the end of the line – at 8:11 a.m., said MTA spokeswoman Nancy Gamerman.
Commuter Joey Daliapes, 21, of Long Island was in the middle car when suddenly there was a “big boom.”
“Everyone’s on the floor, smoke everywhere. I smashed my whole face into the seat in front of me…There were a lot of people bleeding, ladies crying their eyes out on the floor. We didn’t know if we were going to die.”
A woman riding in the first car of the train said, “The train suddenly slammed. We were standing and waiting to get off. One of the doors shattered and we all fell on top of each other.”
Another woman who identified herself as Raj, 45, of Queens said she noticed the train was going “a little faster” as it approached the station near the Barclays Center.
“We’re standing there, and then it was a crash. We started falling on each other,” she said.
Wendy Gerzog, 57, from Lawrence, LI, was in the first car of the train when she suddenly was under passengers who fell on top of her.
“All of a sudden it was just like boom. I was at the bottom of the pile. Everyone was screaming. It was scary,” said Gerzog, who was hospitalized with bumps and bruises.
“I couldn’t get up because my leg hurt me so bad. I couldn’t get up. I was on the floor. They had to lift me up,” she said.

Governor Andrew Cuomo and MTA chairman Tom Prendergast speak to reporters following the derailment.Paul Martinka
Steve Miller, 46, of Park Slope was just across the platform on Track 5 waiting to catch a train into Long Island when the incident occurred.
“It was like a crashing sound – like a really loud car crash,” he said. “The train hit the end and came off the tracks. There was a screeching and the station quickly filled with dust and smoke.”
Miller said that he and other straphangers got out of the station and helped people who were getting off the train.
“My #LIRR train crashed at #AtlanticTerminal in #Brooklyn. Crazy. Seems only a few people are lightly injured,” tweeted Aaron Neufeld along with a photo of straphangers on the floor of the train and a mangled door in the terminal.
Neufeld, 26, of Long Island was sitting in the second car when mayhem broke out.
“The first car was derailed in the air. Shattered glass was on the ground and there were people with bloodied faces. One woman was wailing with blood all over her face,” he told The Post.
The train, which was carrying nearly 500 passengers, crashed through a small office space on the platform at the end of the track, wrecking it.
“That room sustained quite a bit of damage,” said FDNY Deputy Assistant Chief Dan Donoghue.
Paramedics worked on dozens injured riders above ground on the corner of Atlantic Avenue and Ashland Place.
Victims were taken to Kings County Hospital, New York Methodist Hospital and Brooklyn Hospital for treatment.
Most people self-evacuated from the train, said FDNY Commissioner Daniel Nigro.

An officer assists an injured passenger from an earlier LIRR derailment at Atlantic Terminal Wednesday morning.
Paul Martinka
A piece of rail pierced the bottom of the train, officials said.
“We’re actually fortunate we didn’t have more severe injuries,” Donoghue said.
A video showed the aftermath of the incident with smoke in the station as commuters rushed to leave the platform.
MTA Chairman Tom Prendergast and Cuomo said that an investigation into the crash is underway.
The speed of the train when it crashed was not immediately known and Prendergast noted that the when trains enter the terminal the standard speed is between 10 and 15 mph.
Cuomo called the incident a “relatively minor accident.”
Wednesday’s LIRR incident came a little more than three months after the deadly New Jersey Transit crash at Hoboken Terminal.
Commuter Fabiola Bittar de Kroon, 34, was killed by falling debris on the platform after Train 1614 barreled into the station on Sept. 29.
“This is minor compared to what happened in Hoboken,” the governor said.
The National Transportation Safety Board is sending investigators to the scene.
Train service is expected to resume in the afternoon.

The 12 best video games of 2016

Another year is just about behind us, and if you play video games, your 2016 was probably a blur of shooters, adventures and possibly a VR helmet or two. But what really stood out? Which games defined 2016? In no particular order, here are our picks for the 12 best games of the year.

‘Uncharted 4’ provided featured gorgeous graphics, wonderful gameplay and a fantastic story that’s well worth playing.
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‘Uncharted 4: A Thief’s End’
(Sony/Naughty Dog: PS4)
Like its perfectly coiffed star, “Uncharted 4” had to claw its way past countless obstacles on its path to greatness. Its lead designer bailed out, its script was rewritten and it was delayed enough times to put a crack in the faith of even its staunchest fans. But the jaw-droppingly gorgeous “Uncharted 4” more than delivered in the end, giving gamers an absurdly cinematic tale about family, piracy and what it means to be an adventurer.

‘Inside’ is a hauntingly beautiful puzzle-platformer.
‘Inside’
(Playdead: Xbox One and PS4)
Spiritual successor to beloved indie hit “Limbo,” this chilling puzzle-platformer is one of the most affecting games of 2016. At turns unsettling and uplifting, “Inside’s” dystopian world holds clever, well-designed platform sequences, but the real thrill is in trying to unravel its fascinating narrative. Was there a better (and crazier) third act this year?

‘Dishonored 2’ blends tantalizing gameplay with a beautiful, fully-realized world.

‘Dishonored 2’
(Bethesda/Arkane Studios: PS4, Xbox One, and PC)
The sequel to the 2012 supernatural stealth game channels the original’s fantastic gameplay blend into a new, beautifully-realized whalepunk world. Two characters with unique powers gives it replay value, and thanks to some of the most inventive first-person level design ever, you’ll actually want to play this one through a few times.

‘Doom’ brings together the fast-paced chaos of the series’ best entries with modern-day shooter sensibilities to create an over-the-top winner.

‘DOOM’
(Bethesda/id Software: PS4, Xbox One, and PC)
Developer id Software figured out how to teach an old demon dog new tricks with the scintillating “DOOM” reboot. A combination of the original’s heavy metal vibe and new-school shooter sensibilities, “DOOM” was everything fans of the legendary franchise could have hoped for: fast, brutal and just insanely fun.

It might look goofy, but ‘Clash Royale’ is an excellent strategy game.

‘Clash Royale’
(Supercell: iOS/Android)
Don’t let its insane popularity or cartoonish looks fool you: “Clash Royale” is, at its core, a brilliant strategy game. Fast, addictive and perfectly designed for the mobile gamer, it’s the game we played most in 2016. Even its big drawback – that pesky pay to win situation – couldn’t sway us for starting up just one more match.

‘Thumper’ is the rare VR game that’s more than just a tech demo.

‘Thumper’
(Drool: PS4)
This intense, unnerving rhythm experience is one of the few games that works equally well in and out of virtual reality, though “Thumper” is really at its best when you’re staring at it through a PSVR headset. Its combination of noise rock, rhythm gameplay and sci-fi inspired Lovecraftian imagery is as unsettling as it is entrancing. You can’t tear your eyes away.

‘Titanfall 2’ matches a great solo campaign with intense multiplayer robot-blasting action.

‘Titanfall 2’
(EA/Respawn Entertainment: PS4, Xbox One and PC)
Sandwiched between “Battlefield 1” and “Call of Duty: Infinite Warfare,” “Titanfall 2” suffered from a terrible release date. Hopefully that didn’t stop you from playing the slickest, most creative shooter campaign in recent memory. That it also improved its man versus. mech multiplayer with awesome new skills and increased mobility just sealed the deal on perhaps the most complete shooter package of 2016.

Even after 20 years, ‘Pokémon’ is still as addicting as ever.

‘Pokémon Sun/Moon’
(Game Freak/ Nintendo: 3DS)
“Pokémon Go” might have gotten more attention in 2016, but “Sun/Moon” is a superior game in pretty much every way. Revitalizing the 20 year-old franchise with fresh ideas and smart tweaks, it was a catch for both longtime fans and those new to the series. With improved gameplay and a story that had more depth than “the bad guys are bad, because … reasons,” “Sun/Moon” was the best Pokémon game to-date.

If you love video games, you’ll love ‘Overwatch.’

‘Overwatch’
(Blizzard Entertainment: PS4, Xbox One and PC)
The Next Big Thing in esports has arrived. True to form, Blizzard took a simple idea – a hero-based online shooter – and turned it into video game magic. Brilliantly balanced and polished to a high shine, “Overwatch” stormed out of the gate upon release, topping sales charts on the back of its addictive gameplay and incredible characters. If it’s not on your shortlist for 2016, you somehow didn’t play it.

Want to drive a Lamborghini on the beach? Then you’ll want ‘Forza Horizon 3.’

‘Forza Horizon 3’
(Microsoft/ Playground Games: Xbox One)
Open-world racing reached a new top speed in the vibrant “Forza Horizon 3.” Packed with an embarrassing amount of cool things to do in a car both on and off roads, it was also one of the first games to truly take advantage of 4K technology. Not that it needed it — this is a graphical tour de force on any TV, and far and away the most thrilling racing game of 2016.

‘Battlefield 1’ takes you back to WW1 with an emotional campaign and incredible multiplayer.

“Battlefield 1”
(EA / DICE: PS4, Xbox One and PC)
The semi-annual fight between “Call of Duty” and “Battlefield” wasn’t even close this year. EA and developer DICE took a risk by sending the series back in time to World War I, but it paid off with an intense, emotionally-charged shooter that both honored its source material and toyed with its premise. A surprisingly engaging single-player campaign coupled with “Battlefield’s” explosive multiplayer led to the best “Battlefield” in years.

‘Civilization VI’ will make it impossible to get up from your computer. It’s that good.

iPhone 7 reviewed: a lot of catch-up, a little leapfrog

We, the people, may complain about how exhausting it is to keep up with the annual flood of new smartphones from Apple (APPL) and Samsung, and so on. But look at the bright side: At least you don’t have to create the annual set of new features. That’s their problem.
Or at least a brutal challenge. Not just because it’s increasingly difficult to think of new features, but also because the phone makers have pretty much run out of room for new components inside.
That, says Apple, is why it removed the headphone jack from the iPhone 7 and 7 Plus, which go on sale Friday. The headphone jack may not seem very big — but on the inside of the phone, the corresponding receptacle occupies an unnerving amount of nonnegotiable space.

The iPhone 7 Plus, in glistening Jet Black.The feature Apple took out
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The feature Apple took out
So how are you supposed to listen to music without a headphone jack? Apple offers three ways. First, in the box, Apple includes a two-inch adapter cord that connects any headphones to the phone’s Lightning jack.

You can use any existing headphones or earbuds by popping on the little adapter cable.
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Second, the phone also comes with new white earbuds that connect to the Lightning jack. Or you can use any Bluetooth wireless earbuds, including Apple’s own, super-impressive AirPods.

AirPods: Like standard Apple earbuds, but without the tangle.
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In theory, those three approaches should pretty much cover you whenever you want to listen. In practice, though, you’ll still get zapped by the occasional inconvenience bug. You’ll be on a flight, for example, listening to your laptop with headphones — and when you want to switch to the phone, you’ll realize that your adapter dongle is in the overhead bin. (Actual example.)
But this kind of hassle is the new reality. Motorola and LeEvo (in China) have already ditched the headphone jack, and other phone makers will follow suit.
All right, Apple removed the headphone jack so that it could dedicate interior space to new features. What are they?
Turns out that just about every element of a smartphone that can be improved, Apple has upgraded: the case, the battery, camera, screen, speakers, processor, storage, the Home button, and the software.
The case
The back of the iPhone 7 is aluminum, whose gracefully rounded edges blend smoothly into the glass of the screen. No change there.
But in addition to the standard metal colors (matte black, silver, gold, pink gold), there’s a new finish available called Jet Black. It’s glistening, shiny, deep piano black. It’s gorgeous and sleek and smooth and you want to rub it like it’s a worry stone. It’s also slippery and fingerprinty.

Jet black: So shiny, Apple wants you to encase it.

And get this: Apple warns that “its high shine may show fine micro-abrasions with use,” so it suggests that “you use one of the many cases available to protect your iPhone.”
OK what? Why would you choose a phone for its finish and then immediately bury it in a case? What am I missing?
There is, however, one big new case feature: The iPhone is, at long last, water resistant. It can handle up to 30 minutes under a meter of water. Which means that rain and falls into the toilet can’t hurt it. (I gave my test unit four drops into a mixing bowl of water, as you can see in the video above. It never even stopped playing music, and still works perfectly.)
Apple’s late to this ball game, but it’s a really good ball game.
The battery
The iPhone 7 battery is 14% larger than the previous model’s — two hours more life per charge, says Apple — and you notice it. My iPhone 6 is usually gasping along with 9% charge by bedtime; the iPhone 7 usually has around 40% left at day’s end. (The improvement in the larger Plus model is more modest: one extra hour per charge.)
Battery-life improvement may not have the dazzle of, say, a built-in laser or thought-recognition software, but it’s one of the most important enhancements Apple could have made. If you forgot to charge your phone last night, no biggie — you’ll have until midday to find a charge.
Apple is too modest to point out another advantage of the iPhone 7’s battery, too: As far as we know, it doesn’t catch fire, and flight attendants don’t make announcements that ban your phone model in flight (*cough* Samsung Note 7 *cough*).
The camera
Apple makes a big deal of the iPhone 7’s new camera. It’s got more megapixels (12, up from 8), and the front camera has been goosed to 7 megapixels. Megapixel don’t really mean very much, though; they have no effect on picture quality.
Apple also raves about the camera’s f/1.8 aperture (lets in a lot of light). But you know what? When the light is good, the shots look exactly the same as they did on the last couple of iPhone models. (In some photos, you do see slightly richer colors, but only when you view those photos on the iPhone 7’s enhanced screen, as described below.)

pizza


sky


rose

The new camera shows its value primarily in low light. The stabilized lens helps a lot — an internal shock absorber that counteracts the typical tiny hand jiggles that often introduce blur into low-light photos. (This feature, which also does a great job of stabilizing videos, used to be only in the Plus-sized phones; the smaller iPhone 7 has room for it, Apple says, only because of the removal of the headphone jack.)
All of this makes a huge difference in low-light videos. The color is clearer, and the graininess much less pronounced. Low-light stills are enhanced to a lesser degree.

The iPhone 7’s stabilizer and improved light sensitivity help in low light.

The flash on the back is now made up of four LEDs instead of two, resulting in flashes (and flashlights) that are 50% brighter than before. OK, good.
On the iPhone 7 Plus, though, the camera enhancement is much bigger: Apple has installed two lenses. One is wide-angle, one is telephoto. With a tap on the screen, you zoom in 2X. This is true optical zoom, not the cruddy digital zoom on most previous phones (which just blows up the image, degrading the quality).

The iPhone 7 Plus has a breakout feature–two lenses.

You can also dial up any amount of zoom between 1X and 2X; the iPhone performs that stunt by seamlessly combining the zoom lens’s image (in the center of the photo) with a margin provided by the wide lens.
2X zoom isn’t a huge amount, but it’s 2X as much as any other thin smartphone can handle. And it’s a triumphant first step toward eliminating a key drawback of phone cameras: They can’t actually zoom. (The LG G5 tried a similar stunt, but the second lens had only half the resolution of the first, and you couldn’t do that intermediate zooming thing.)
You can even zoom right in the middle of shooting a video, which is very cool. Occasionally, the two lenses produce different color tones for the same scene; you can it in the video above, and in the grass in this still photo.

The iPhone 7 Plus has true, real, actual 2X zoom (and digital up to 10X).
Even on the Plus, by the way, you can continue to use the digital zoom beyond the 2X, all the way up to a somewhat blotchy 10X (or 6X for video).
In a software upgrade this fall, Apple says that the 7 Plus will gain the ability to create the gorgeously soft-focused background that’s common in professional photography. It’s not real shallow depth of field; it’s a special effect, a filter.

In October, the iPhone 7 Plus will gain a filter that simulates a blurry background.
When Samsung tried this a couple of years ago, the result was a disaster; the blurriness could spill horribly onto the subject’s face like some kind of reverse acid bath. But on the 7 Plus, the dual cameras are supposed to let the software perfectly pick the subject apart from the background, creating a defocused background that’s indistinguishable from the one you get from “real” cameras.
The screen
Apple makes much of the iPhone 7’s new screen with its “expanded color gamut,” meaning that it can display more colors than previous screens, and its “25% brighter” display.
In truth, the difference is very subtle. You can barely identify the brighter screen only when it’s side-by-side with last year’s model and both are at full brightness.
To test the expanded color palette, I took a series of photos with the iPhone 7 and copied them to an iPhone 6s. In side-by-side taste tests, my test panelists usually identified slightly richer colors when those photos appeared on the iPhone 7’s screen.
The bottom line: Don’t expect some jaw-dropping image improvement in screen quality.
The speakers
The iPhone now has stereo speakers! They’re at the top and bottom of the phone, so you don’t get the stereo effect unless the phone is sitting sideways. Even then, there’s very little left/right channel separation.
But never mind that: The iPhone 7’s audio system overall is definitely better than before. It may not be twice as loud, as Apple claims, but you’d definitely say that the 7 sounds fuller and stronger than previous models.
The processor
This year’s iPhone processor has four cores (brains), two of which are dedicated to lower-importance tasks (and consume less power—one of the reasons the phone gets better battery life).
The storage
The pathetically small 16-gigabyte iPhone has finally gone to the great junk drawer in the sky. Now, the three iPhone storage capacities are 32, 128, and 256 gigabytes (for $650, $750, and $850; installment and rental plans are available). For the larger 7 Plus model, the prices are $770, $870, and $970.
The Home button
The Home button, central to so many iPhone features — waking the phone, switching apps, commanding Siri, and so on — is no longer a moving, mechanical part. Now, when you press it, you feel a click, but it’s actually a sonic fake-out, a sharp internal vibration.
The advantage of this setup: You can adjust how clicky the button is. There’s no gap for water to get in. And this Home button is pressure-sensitive — it knows when you’re pressing harder — which could someday permit some cool new features nobody’s even thought of yet.

Just how clicky do you want your Home button to be?
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The disadvantage of this setup: When your phone is locked up, you can no longer hold down the Sleep + Home buttons to force-restart it. Instead, you’re now supposed to use Sleep + Volume Down, just as on many Android phones.
The software
The iPhone 7 comes with iOS 10, a new version of the iPhone’s operating software — and, as its usual gift to its fans, Apple offers iOS 10 as a free upgrade to anyone with a recent iPhone model. You can download it today.
There are a lot of changes in iOS 10; you can read my review of it tomorrow. Most of them represent delightful advances in efficiency and common sense; for example, you no longer have to swipe horizontally across the screen to unlock it. Instead, you press the Home button, where your thumb is already sitting (because you used the fingerprint reader). Brilliant.
The bottom line
In recent years, Apple isn’t always the technology leader in phones. This year, once again, some of the best new features are just catching up to rival phones: water resistance, image stabilization, stereo speakers. Believe it or not, Apple isn’t even the first company to take out the headphone jack.
But catch-up has value of its own, and every company plays it. (And that camera-zoom thing on the 7 Plus is fantastic.)
Now that Apple’s phone phone is every bit as advanced as any of its rivals, and more advanced in some areas, its engineers can finally get a well-deserved break. But only for a weekend. On Monday, it’ll be time to start dreaming up new features for next year’s iPhone.